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Suspense.

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This is the Man in Black, here again to introduce Columbia's program, Suspense.

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Our starring Hollywood cast of characters reads as follows for tonight.

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As Aunt Julie, one of those stark, severe and terrifying women who is encountered ever so often along the grimmer outposts of the American countryside.

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Miss Agnes Moorhead.

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As Carol Linden, the girl who returned to a scene of childhood happiness and found terror living in the house.

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Miss Ellen Drew.

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As Paul Carroll's husband who had his own ideas as to the explanation of these strange events.

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Mr. Ted Reed.

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A first radio play by Larry Roman called Uncle Henry's Rosebush is tonight's tale of suspense.

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If you have been with us before, you will know that suspense is compounded of mystery and suspicion and dangerous adventure.

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In this series our tales calculated to intrigue, to stir your nerves, to offer you a precarious situation and then withhold a solution until the last possible moment.

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And so it is with Uncle Henry's Rosebush and the performances of Agnes Moorhead as Aunt Julie, Ellen Drew as Carol and Ted Reed as Paul.

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We again hope to keep you in Suspense.

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Suspense

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I shall tell you the story exactly as it happened.

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There's no use pretending.

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I'll never forget and I know I'll not awake and find it all a dream.

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It's real and for the rest of my life I shall know it's real.

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Paul's Rosebush

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Paul was to have his first vacation since we were married.

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I suggested we visit my Aunt Julie and Uncle Henry who had a small farm upstate.

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They had always been very kind to me.

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When I was a child I used to spend my summer vacations with them.

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They loved children.

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I've often wondered why they never had any of their own.

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Some time ago I'd lost track of them.

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They'd never seen Paul and I was certain they'd like to.

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Paul said it would be fine.

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We'll surprise them I thought.

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We were the ones who were surprised.

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Paul's Rosebush

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Just a few more miles Paul.

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I remember this road.

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We used to hike along it going to the village.

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Ah, this country air is wonderful.

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Two weeks of green grass and wicker chairs.

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I can't think of anything better.

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You'll love Aunt Julie and Uncle Henry.

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They live alone, quiet and peaceful.

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It'll be quite a change from the city.

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Yeah, they must be happy together.

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Oh they are but they're lonely.

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Smooth lawns and orchards.

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Flowers.

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Uncle Henry planted huge rose bushes around the porch.

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Every night as I crawled in the bed he used to bring me a rose.

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They're his favorite flowers.

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Ah, vacation here we come.

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Come on Carl let's go.

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Just around the bend.

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Here we go.

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There it is.

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Carl, look.

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Why Paul.

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Are you sure this is the place?

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Yes but all the weeds and the broken shutters.

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Looks as though it's been neglected for months.

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I don't understand.

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Perhaps it's deserted.

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It can't be. It's their home.

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Oh come on let's go up and see.

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The dirt on this porch must be an inch thick.

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No answer.

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Nobody here.

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Look Paul over there at the end of the porch.

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The rose bush.

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Uncle Henry's rose bush.

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Why it's trimmed and neat.

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It's the only thing that seems to be taken care of.

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Well then somebody must be here.

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Maybe they can tell us what happened to Aunt Julie and Uncle Henry.

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Knock again.

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Someone's coming.

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Well?

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We're looking for a Mr. and Mrs. Connors.

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They used to live...

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Why Aunt Julie?

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I didn't recognize you.

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It's me Aunt Julie. It's Carol.

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I wasn't expecting you.

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Paul's vacation. We thought we'd spend it here.

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Well you've been asking for us for years.

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This is Paul, my husband.

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Carol's told me so much about you.

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Why did you come?

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What?

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I said why did you come?

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Aren't you glad to see us?

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Aunt Julie something's happened.

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Nothing's happened.

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Oh but it did. Tell me Aunt Julie we'll help.

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Of course we will.

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You shouldn't have come.

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Carol if she doesn't want us let's go.

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No Paul. This isn't like you Aunt Julie.

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Something dreadful has happened. I know it.

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Go Carol. Please go.

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Listen if it's money Aunt Julie, well we haven't got too much but you're welcome to it.

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I tell you nothing's wrong.

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But there must be. This house...

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You're her husband. I'm asking you to take her and go away.

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Come on Carol. We're not wanted. Let's go.

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We're going to stay.

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Well there you are. She's your niece and you know how stubborn she can be.

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We're going to stay.

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Where's Uncle Henry?

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I say where's Uncle Henry?

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He's... he's not here.

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But where is he?

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He's not here. Isn't that enough?

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Well he'll be back.

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He won't be.

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Oh but Aunt Julie...

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He won't ever be back.

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They stood there bewildered.

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Aunt Julie had run out of the room.

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Perhaps she was crying. I don't know.

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I just knew that Uncle Henry was gone.

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He had left her.

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It seemed strangely impossible.

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They'd always been so happy.

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So supremely happy that it seemed that the only thing that could separate them on this earth was...

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Death.

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And now this. I couldn't believe it.

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Paul and I walked into the living room. It was almost as dusty as the outside.

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The curtains were dirty. The floor littered with old newspapers.

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The entire room showed the same signs of neglect as the outside.

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And when I recalled how neat Aunt Julie had always been with her housework...

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All that feeling of apprehension crawled up my back.

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Frankly I was frightfully worried and...

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And I could tell by the look on Paul's face that he was worried too.

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I don't like it, Paul. There's something strange here.

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Yeah. I never saw a house in such a mess.

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It's not just the house. It's more than that.

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Something much more. I'm sure of it.

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Well really, Carol, it's none of our business, don't you?

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Well, perhaps not, but you don't know Aunt Julie like I do.

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She'd never ask for help. No matter how much she needed it.

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I'm just not trying, Paul. It's...

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I suppose you're right.

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They've always been so kind to me. I've got to help them.

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But how can we, Carol? We don't even know what's wrong.

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They were always so happy together.

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Somehow I can't believe they've broken up.

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Something else has happened. Something terrible.

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And I'm going to stand till I find out what.

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Well, in that case we'd better find a place to sleep.

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All the bedrooms are upstairs. Come on.

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Right.

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Wow. Look at the dust on the banister.

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I bet this place hasn't been cleaned in a month.

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Paul. Huh?

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Did you see the way she looks?

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Yeah.

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Gee, her face seems completely wrinkled with worry.

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No wonder I didn't recognize her.

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She seems much older and frightened.

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Well, do you think she's ill?

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I don't know. I wish I did.

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Wow, look at that hall. Gloomy and dirty.

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Where do these doors go to?

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That one's to Aunt Julie's room, and this one's Uncle Henry's.

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The one across the way is a spare. I guess that's ours.

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Well, let's go in.

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Wow. What a mess.

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Well, might as well get busy cleaning.

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Yeah. There's nothing like a good round of house cleaning before supper.

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Paul, so long as Uncle Henry's not here, maybe we can take his room.

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It's got an adjoining door to Aunt Julie's, and then in case she needs it, we'll be near.

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Okay. It doesn't matter to me which room we clean. Let's go.

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Yeah. This one over here.

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Well, this is... Paul, look. It's all clean and neat.

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Well, I'll be darned. It's the only clean place in the whole house.

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I don't understand. Every room is inches in dirt, except this one.

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The outside is completely neglected.

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Except the rose bush.

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Uncle Henry's room and Uncle Henry's rose bush. I don't get it.

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Well, look on the dresser there. Aunt Julie's picture and a pipe and tobacco.

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Why, that's Uncle Henry's favorite pipe.

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Drawers full of shirts, socks, underwear.

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Carol, if your uncle went away, why did he leave this?

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I don't know.

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Strange, but...

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What's that paper, Paul?

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Why, it looks like... It is an insurance policy for $30,000 payable to your Aunt Julie in case Uncle Henry dies.

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Carol, this is...

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What are you two doing here?

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Aunt Julie, I...

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What are you doing here?

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Well, we thought that we...

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What's that in your hand?

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An insurance.

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Give it to me.

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And keep out of this room.

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We didn't look at it hard.

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I didn't know how to take this.

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Uncle Henry's pipe and all his clothes were still in his room.

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And yet, Uncle Henry was gone.

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I couldn't understand why Aunt Julie got so angry.

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I looked to Paul for an explanation.

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I could tell he had something on his mind, but I didn't dare ask him what it was.

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And he didn't say.

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After Aunt Julie's outburst, we went back to the spare room and cleaned it.

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Then we washed and started downstairs for supper.

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Watch your step, Carol.

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These aren't the strongest looking stairs.

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It'll be all right.

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Paul, what do you make of Aunt Julie's behavior?

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Frankly, Carol, I'm worried.

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I'm frightened.

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May as well admit it.

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There's something stranger that frightens me to death.

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I don't think there's anything to be frightened of.

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It's just that...

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There, that's the last step.

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This way to the kitchen.

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All right.

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Oh, as I was saying, I don't think there's...

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Look out, Carol!

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That was close.

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That vase just missed you.

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Vase?

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Yes, and it was a heavy one.

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The one at the top of the stairway.

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It would have hit me.

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Yeah.

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Oh, Paul, I'm frightened.

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Look, coming down the stairs.

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What happened?

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The vase fell.

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Just missed Carol.

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Well, don't worry about it.

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I didn't like the vase anyway.

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The vase?

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What about Carol?

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She almost got killed.

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Never mind, Paul.

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It was an accident.

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An accident?

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We were just going in for supper, Aunt Julie.

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Care to join us?

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Well, I...

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Come on, Aunt Julie.

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It'll do you good.

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Oh, all right.

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Here.

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You two sit right down.

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I'll have something prepared in a minute.

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I'm not very hungry.

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Oh, nonsense, Aunt Julie.

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I'll fix something that'll make your mouth water.

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You know, when Carol and I get through cleaning this place up,

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it'll look just like new.

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Yeah?

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Sure.

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I think when Carol and I have a family,

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we'll take them to a farm.

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Really?

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Yes, yes.

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You know, this place would be swell for children.

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Oh, what do you mean?

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Oh.

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Oh.

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Oh.

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What did I say?

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What's the matter?

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What's the matter with Aunt Julie?

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Where is she going?

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I don't know.

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I was just trying to make conversation.

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Just talked about children on a farm.

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That's all.

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Oh, Paul, unfightfully word.

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Do you think we ought to call a doctor for her?

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I don't know.

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We have to do something.

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She certainly doesn't look too well.

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But maybe she isn't really sick.

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What do you mean?

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Well, maybe if your Uncle Henry did leave her,

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well, then maybe...

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You mean, you mean she still loves him?

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It's possible, but...

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Oh, but you don't really believe it.

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Oh, Carol, I don't know what to believe.

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I just know something's wrong.

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Uh-huh.

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I'm not hungry, Paul.

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Me either.

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Let's go for a walk.

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Maybe we can figure something out.

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The country's so peaceful and beautiful in the night.

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Yes, it is.

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I wish you could enjoy it.

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But I can.

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Don't try to fool me.

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Your first vacation in years, and you run into this.

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Well, we have to help her.

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Of course.

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But how?

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Yes, we don't even know what's wrong.

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She not only won't tell, but we can't get near her

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long enough to talk to her.

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Suppose Uncle Henry really did leave her.

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He may have gone off in a huff.

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That would account for the clothes being here.

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Well, perhaps.

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And suppose she still is in love with him.

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Well, that would account for...

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Oh, but even if that's so,

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could that make her feel so badly?

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Make her act like this?

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Not talking, neglecting everything?

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Everything except his room and his flowers.

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I don't know.

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A woman's love is a strange thing.

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If you left me, I don't know what I'd do.

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Well, if that is the case,

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the thing to do is to make her forget.

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That won't be easy.

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No, I don't imagine it would be.

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But suppose we take her to the city with us

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until she forgets.

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Well, we could ask her at least.

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Yeah. Yeah, come on. Let's go find her.

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Oh!

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Watch out! You almost fell.

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I tripped. I'm all right.

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Look, Paul.

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What?

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Look what I tripped over.

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It's a mound of freshly dug earth.

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What's that for?

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Paul. Paul, it looks like a grave.

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Oh, don't be silly.

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Why, it's just a... Forget it.

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Come on, let's find Aunt Julie.

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Paul, that...

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Forget it.

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Say, what's that building over there?

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That's the barn.

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There used to be a swell old cow there

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with a bell around her neck

14:41.000 --> 14:44.000
and chickens and ducks and all sorts of pets.

14:44.000 --> 14:45.000
This must have been a happy place.

14:45.000 --> 14:48.000
It was, but now...

14:48.000 --> 14:51.000
Paul, standing by the barn, it's Aunt Julie.

14:51.000 --> 14:52.000
Come on, let's ask her now.

14:52.000 --> 14:53.000
Aunt Julie!

14:53.000 --> 14:54.000
What are you doing?

14:54.000 --> 14:55.000
Following me?

14:55.000 --> 14:58.000
How could you?

14:58.000 --> 15:01.000
Well, it was a nuisance.

15:01.000 --> 15:03.000
Oh, Aunt Julie.

15:03.000 --> 15:09.000
Oh, a cat with its neck wrung.

15:13.000 --> 15:14.000
This was the first indication

15:14.000 --> 15:16.000
of Aunt Julie's ruthlessness.

15:16.000 --> 15:19.000
It seemed so unlike Aunt Julie that I knew.

15:19.000 --> 15:21.000
She was always kind.

15:21.000 --> 15:24.000
There was no mistaking the anger in her eyes

15:24.000 --> 15:26.000
as she stood there in the dim moonlight,

15:26.000 --> 15:29.000
the strangled cat in her hands.

15:29.000 --> 15:32.000
She killed it, she said, because it was a nuisance.

15:32.000 --> 15:33.000
If she could do that,

15:33.000 --> 15:37.000
what else was she capable of doing?

15:37.000 --> 15:38.000
Paul and I went into the house.

15:38.000 --> 15:40.000
We went upstairs and put the finishing touches

15:40.000 --> 15:42.000
in our room and went to bed.

15:42.000 --> 15:44.000
I couldn't sleep.

15:44.000 --> 15:45.000
As I watched the moon make its slow,

15:45.000 --> 15:48.000
solitary way across the heaven,

15:48.000 --> 15:50.000
I kept thinking.

15:50.000 --> 15:53.000
Paul and I are also a nuisance.

15:53.000 --> 15:57.000
Paul and I are also a nuisance.

15:57.000 --> 15:59.000
Toward midnight, I became drowsy

15:59.000 --> 16:01.000
and was just beginning to fall off to sleep

16:01.000 --> 16:05.000
when I heard footsteps in the hall.

16:05.000 --> 16:06.000
Paul!

16:06.000 --> 16:08.000
What?

16:08.000 --> 16:10.000
Paul! Paul, wake up!

16:10.000 --> 16:12.000
What is it?

16:12.000 --> 16:15.000
Shh! I hear footsteps in the hall.

16:15.000 --> 16:17.000
Footsteps?

16:17.000 --> 16:20.000
I don't hear anything.

16:20.000 --> 16:22.000
There. Hear it?

16:22.000 --> 16:23.000
Yeah.

16:23.000 --> 16:25.000
Must be Aunt Julie.

16:25.000 --> 16:28.000
What would she be doing up this time of night?

16:28.000 --> 16:30.000
I don't know, but who else could it be?

16:30.000 --> 16:31.000
I'll go see.

16:31.000 --> 16:33.000
I'm coming with you.

16:33.000 --> 16:37.000
Quiet. Don't put on the light.

16:39.000 --> 16:42.000
I can't see.

16:42.000 --> 16:46.000
Yes, now I can.

16:46.000 --> 16:48.000
It is Aunt Julie.

16:48.000 --> 16:52.000
She's walking down the hall.

16:52.000 --> 16:54.000
I think she's coming this way.

16:54.000 --> 16:56.000
Quiet.

16:56.000 --> 16:59.000
Shh. I think she's...

16:59.000 --> 17:00.000
What's she got in her hand?

17:00.000 --> 17:02.000
Looks like a scissors.

17:02.000 --> 17:03.000
Scissors?

17:02.000 --> 17:03.000
Yes.

17:03.000 --> 17:05.000
What would she be doing with...

17:05.000 --> 17:06.000
Carol, she's coming this way.

17:06.000 --> 17:07.000
Get back in bed, quick.

17:07.000 --> 17:08.000
What?

17:08.000 --> 17:10.000
Get in bed.

17:10.000 --> 17:17.000
All right, now. Quiet.

17:24.000 --> 17:25.000
She went out.

17:25.000 --> 17:26.000
What?

17:26.000 --> 17:29.000
Yeah. She just looked in and left.

17:29.000 --> 17:31.000
Do you think she knew we were awake?

17:31.000 --> 17:32.000
I don't see how.

17:32.000 --> 17:33.000
Let's follow her.

17:33.000 --> 17:37.000
All right. Where's my other slipper?

17:37.000 --> 17:42.000
There. All right, come on.

17:42.000 --> 17:44.000
She's going downstairs.

17:44.000 --> 17:47.000
Come on and be quiet.

17:47.000 --> 17:48.000
I think she's going outside.

17:48.000 --> 17:49.000
Let's go.

17:49.000 --> 17:50.000
Not so fast.

17:50.000 --> 17:53.000
Give her a chance to get out.

17:53.000 --> 17:59.000
There she's out. Come on.

17:59.000 --> 18:01.000
Look, Pa.

18:01.000 --> 18:03.000
She's cutting a bunch of roses off the bush.

18:03.000 --> 18:06.000
She's taking them around to the back of the house.

18:06.000 --> 18:09.000
Come on.

18:09.000 --> 18:12.000
Here. Now get down behind this bush.

18:12.000 --> 18:14.000
Look, Pa.

18:14.000 --> 18:19.000
She's going over to that mound and placing the roses on it.

18:19.000 --> 18:20.000
Pa.

18:20.000 --> 18:23.000
Shh. But, Pa, it looks like...

18:23.000 --> 18:28.000
Quiet, Carol. She's kneeling beside it.

18:28.000 --> 18:31.000
Now she's getting up and coming back.

18:31.000 --> 18:41.000
Get down.

18:41.000 --> 18:42.000
She's gone.

18:42.000 --> 18:45.000
Pa, do you know what that is?

18:45.000 --> 18:47.000
I got a pretty good idea.

18:47.000 --> 18:54.000
Uncle Harry's roses with Uncle Harry's grave.

18:54.000 --> 18:58.000
I said it. I said it without thinking.

18:58.000 --> 19:02.000
Of course we had no way of knowing Uncle Henry was dead.

19:02.000 --> 19:07.000
We had no way of knowing that that was Uncle Henry's grave or that it was a grave at all.

19:07.000 --> 19:16.000
But at that moment, stooping behind the bush and the blackness of the country, we felt it, not knowing why.

19:16.000 --> 19:19.000
Paul and I went back to our room as quickly and as silently as possible.

19:19.000 --> 19:22.000
Needless to say, we didn't sleep anymore.

19:22.000 --> 19:27.000
We just kept looking at each other, asking ourselves questions, trying to analyze our feelings.

19:27.000 --> 19:31.000
Soon we could see the streaks of dawn coming up over the treetops.

19:31.000 --> 19:35.000
And we slept the early morning hours, trying to...

19:35.000 --> 19:39.000
We were trying to convince each other that our thoughts were ridiculous.

19:39.000 --> 19:42.000
Frankly, I don't think we succeeded.

19:42.000 --> 19:49.000
Finally we decided not to mention it, to go on with the cleaning the next day as we'd planned, to make believe nothing had happened until we had proof.

19:49.000 --> 19:54.000
That day we spent cleaning and all day Aunt Julie was nowhere to be seen.

19:54.000 --> 20:01.000
Yet I had a strange feeling that something, someone was watching our every move.

20:01.000 --> 20:05.000
Toward evening, Paul and I sat down for a bite to eat.

20:05.000 --> 20:07.000
More coffee?

20:07.000 --> 20:09.000
Oh, thanks.

20:09.000 --> 20:11.000
I wonder where Aunt Julie is.

20:11.000 --> 20:13.000
I don't know, Carol.

20:13.000 --> 20:15.000
That's a strange aunt you've got.

20:15.000 --> 20:17.000
Yes.

20:17.000 --> 20:19.000
Oh, look, the window.

20:19.000 --> 20:20.000
What is it?

20:20.000 --> 20:22.000
Oh, I thought I saw someone looking in.

20:22.000 --> 20:23.000
What?

20:23.000 --> 20:25.000
There's no one there now.

20:25.000 --> 20:27.000
But I'm sure I saw...

20:27.000 --> 20:29.000
Probably just a shadow.

20:29.000 --> 20:31.000
Yes, I'll be just a shadow.

20:31.000 --> 20:33.000
You're on edge, Carol.

20:33.000 --> 20:35.000
I'll be all right. Finish your coffee.

20:35.000 --> 20:37.000
I'll start cleaning the bathroom.

20:37.000 --> 20:40.000
We'll both work on the kitchen, and I'll take care of the downstairs.

20:40.000 --> 20:42.000
All right.

20:42.000 --> 20:44.000
Paul, you look worried.

20:44.000 --> 20:46.000
You know, this whole crazy business...

20:46.000 --> 20:48.000
Let's not talk about it.

20:48.000 --> 20:50.000
But putting roses on a...

20:50.000 --> 20:52.000
I'm sorry, Carol.

20:52.000 --> 20:54.000
It's you I'm really worried about.

20:54.000 --> 20:56.000
If something should happen to you, I'll never forgive myself.

20:56.000 --> 20:58.000
Nothing will happen.

20:58.000 --> 21:00.000
I'll finish your coffee. I'll start cleaning the bathroom.

21:00.000 --> 21:02.000
Okay, Carol.

21:02.000 --> 21:04.000
I won't be long.

21:04.000 --> 21:06.000
Hmm.

21:06.000 --> 21:08.000
Well.

21:08.000 --> 21:10.000
Isn't too bad.

21:10.000 --> 21:12.000
There's the sink.

21:12.000 --> 21:14.000
Some hot water.

21:14.000 --> 21:16.000
There, that's it.

21:16.000 --> 21:28.000
I'll wash the rag around the sink bowl.

21:28.000 --> 21:30.000
Oh!

21:30.000 --> 21:32.000
Oh.

21:32.000 --> 21:34.000
Oh dear.

21:34.000 --> 21:36.000
Just the wind.

21:36.000 --> 21:38.000
I guess I'm getting jumpy.

21:38.000 --> 21:40.000
Hmm.

21:40.000 --> 21:42.000
This place won't be half bad when it's clean.

21:42.000 --> 21:44.000
The medicine chest.

21:44.000 --> 21:46.000
Clean the mirror.

21:46.000 --> 21:48.000
And the shelves.

21:48.000 --> 21:50.000
Oh.

21:50.000 --> 21:52.000
Paul.

21:52.000 --> 21:54.000
Paul.

21:54.000 --> 21:56.000
Come here.

21:56.000 --> 21:58.000
What's the matter?

21:58.000 --> 22:00.000
Look, there in the medicine chest.

22:00.000 --> 22:02.000
Where?

22:02.000 --> 22:04.000
What's a hypodermic needle?

22:04.000 --> 22:06.000
What would a hypodermic needle be doing here?

22:06.000 --> 22:08.000
Well, it's not likely to be here for nothing.

22:08.000 --> 22:10.000
Look, alongside of it.

22:10.000 --> 22:12.000
A bottle of...what's it say?

22:12.000 --> 22:14.000
It's awful looking stuff.

22:14.000 --> 22:16.000
Open the bottle.

22:16.000 --> 22:18.000
That corks in tight.

22:18.000 --> 22:20.000
There.

22:20.000 --> 22:22.000
Oh, nauseating.

22:22.000 --> 22:24.000
Stuff like that would kill a person.

22:24.000 --> 22:26.000
Paul, it's not a joke.

22:26.000 --> 22:28.000
I'm sorry, Carol.

22:28.000 --> 22:30.000
Do you really think Aunt Julie...

22:30.000 --> 22:32.000
I don't know.

22:32.000 --> 22:34.000
It can't be, Paul. It can't be.

22:34.000 --> 22:36.000
Maybe not, but we better find out.

22:36.000 --> 22:38.000
And quickly, Carol, there's one more thing to do.

22:38.000 --> 22:40.000
I'm going to see if that's really Uncle Henry's grave.

22:40.000 --> 22:42.000
Don't you see? I have to.

22:42.000 --> 22:44.000
If it is, we're in danger.

22:44.000 --> 22:46.000
I'm still not sure that falling vase was an accident.

22:46.000 --> 22:48.000
We have to find out about this business once and for all.

22:48.000 --> 22:50.000
I'm coming with you.

22:52.000 --> 22:54.000
We walked out toward the back of the house.

22:56.000 --> 22:58.000
And through my mind flashed the succession of events.

23:00.000 --> 23:02.000
The neglected house,

23:02.000 --> 23:04.000
Aunt Julie's insistence that we leave,

23:04.000 --> 23:06.000
the roses, the grave, the insurance policy,

23:06.000 --> 23:08.000
and now the hypodermic needle in that infernal oil.

23:08.000 --> 23:10.000
All the evidence pointed to but one conclusion.

23:12.000 --> 23:14.000
I couldn't believe it, and yet,

23:14.000 --> 23:16.000
there it was, motive and method.

23:16.000 --> 23:18.000
And now we were going outside

23:18.000 --> 23:20.000
to dig up the last remaining evidence.

23:22.000 --> 23:24.000
Well, this is it, Carol.

23:24.000 --> 23:26.000
Sure you want to watch?

23:26.000 --> 23:28.000
I won't stay in this house alone.

23:28.000 --> 23:30.000
Look at the beautiful roses around it.

23:30.000 --> 23:32.000
Hurry up, Paul. Let's get it over with.

23:32.000 --> 23:34.000
Okay. Here goes.

23:34.000 --> 23:36.000
Here goes.

23:38.000 --> 23:40.000
I never thought I'd turn into a grave digger.

23:42.000 --> 23:44.000
This dirt isn't packed tight.

23:44.000 --> 23:46.000
Easy to dig.

23:48.000 --> 23:50.000
It's getting dark.

23:50.000 --> 23:52.000
Yeah.

23:52.000 --> 23:54.000
I think I'll run in and get a lantern.

23:54.000 --> 23:56.000
I'll be right back, Carol.

23:56.000 --> 23:58.000
All right.

23:58.000 --> 24:00.000
Every one of those lengthening shadows

24:00.000 --> 24:02.000
looks like a ghost.

24:02.000 --> 24:04.000
It gets dark quickly in the country.

24:04.000 --> 24:06.000
I was afraid, but I knew

24:06.000 --> 24:08.000
Paul would be back in a minute.

24:08.000 --> 24:10.000
I picked up the shovel and began to dig.

24:14.000 --> 24:16.000
Oh, dear. That's better.

24:16.000 --> 24:18.000
I'm not so nervous.

24:18.000 --> 24:20.000
I'm working.

24:22.000 --> 24:24.000
Is that you behind me, Paul?

24:24.000 --> 24:26.000
Bring the lantern closer.

24:26.000 --> 24:28.000
Gee, it's so dark.

24:28.000 --> 24:30.000
Paul. Paul, I...

24:30.000 --> 24:32.000
Look at Henry.

24:32.000 --> 24:34.000
What are you doing?

24:34.000 --> 24:36.000
What are you doing to my grave?

24:36.000 --> 24:38.000
Put it back. Put it back.

24:38.000 --> 24:40.000
Oh, my flowers, my beautiful flowers,

24:40.000 --> 24:42.000
my lovely roses. You've hurt them.

24:42.000 --> 24:44.000
You've hurt my roses, and I won't let you.

24:44.000 --> 24:46.000
I won't. I won't.

24:46.000 --> 24:48.000
Keep away. Keep away, Uncle Henry.

24:48.000 --> 24:50.000
I won't let you hurt my roses, my sweet delicate roses.

24:50.000 --> 24:52.000
Take your hands away. Take them.

24:52.000 --> 24:54.000
You broke them.

24:54.000 --> 24:56.000
You killed them. Stop it. Stop it, Henry.

24:56.000 --> 24:58.000
I'm going to kill her after she did my roses.

24:58.000 --> 25:00.000
Henry. Henry. Henry.

25:04.000 --> 25:06.000
Oh, forgive me, Henry. I didn't mean...

25:06.000 --> 25:08.000
Are you all right, Carol?

25:08.000 --> 25:10.000
Yes. Yes, I think so.

25:10.000 --> 25:12.000
What happened? What...

25:12.000 --> 25:14.000
Uncle Henry?

25:14.000 --> 25:16.000
Aunt Julie saved my life, Paul.

25:16.000 --> 25:18.000
And we thought she...

25:18.000 --> 25:20.000
Oh, can you ever forgive us, Aunt Julie?

25:20.000 --> 25:22.000
You didn't know?

25:22.000 --> 25:24.000
That he wasn't dead at all?

25:24.000 --> 25:26.000
No. No, he wasn't.

25:26.000 --> 25:28.000
He was living in his room all the time, Carol.

25:28.000 --> 25:30.000
I was taking care of him.

25:30.000 --> 25:32.000
When you two insisted on staying here,

25:32.000 --> 25:34.000
I kept him out of sight.

25:34.000 --> 25:36.000
Oh, I didn't want to kill him,

25:36.000 --> 25:38.000
and I had to.

25:38.000 --> 25:40.000
He would have killed Carol.

25:40.000 --> 25:42.000
Aunt Julie. Oh, if you only had left

25:42.000 --> 25:44.000
when I asked you to.

25:44.000 --> 25:46.000
But perhaps it's better this way.

25:46.000 --> 25:48.000
He never got that violent before.

25:48.000 --> 25:50.000
I could always take care of him.

25:50.000 --> 25:52.000
The hypodermic needle and the sedative

25:52.000 --> 25:54.000
calmed him when he got a little wild,

25:54.000 --> 25:56.000
but then...

25:56.000 --> 25:58.000
then when I saw him strangle the cat,

25:58.000 --> 26:00.000
I knew he was getting completely out of hand.

26:00.000 --> 26:02.000
Yes, it's... it's better this way.

26:02.000 --> 26:04.000
He's better off dead.

26:04.000 --> 26:06.000
Poor Uncle Henry.

26:06.000 --> 26:08.000
The grave and the roses

26:08.000 --> 26:10.000
were a whim of his.

26:10.000 --> 26:12.000
A whim.

26:12.000 --> 26:14.000
And look,

26:14.000 --> 26:34.000
he fell right in his own grave.

26:34.000 --> 26:36.000
And so closes the story,

26:36.000 --> 26:38.000
Uncle Henry's Rosebush, starring

26:38.000 --> 26:40.000
Agnes Moorhead, Ellen Drew, and Ted Reed.

26:40.000 --> 26:42.000
Tonight's tale of...

26:42.000 --> 26:44.000
suspense.

26:44.000 --> 26:46.000
This is your narrator, the man in black,

26:46.000 --> 26:48.000
who conveys to you Columbia's invitation

26:48.000 --> 26:50.000
to spend this half hour in suspense

26:50.000 --> 26:52.000
with us again next week, same time,

26:52.000 --> 26:54.000
when we will present

26:54.000 --> 26:56.000
another flowery bouquet

26:56.000 --> 26:58.000
of suspicion

26:58.000 --> 27:00.000
and terror, and a

27:00.000 --> 27:02.000
homicidal maniac at large.

27:02.000 --> 27:04.000
Only this time, the roses

27:04.000 --> 27:06.000
will be white.

27:06.000 --> 27:08.000
The story will be The White Rose

27:08.000 --> 27:10.000
Murders by Cornell Woolrich.

27:10.000 --> 27:12.000
The tale of a killer who

27:12.000 --> 27:14.000
trademarked his crimes by leaving

27:14.000 --> 27:16.000
a white rose on the victim.

27:16.000 --> 27:18.000
Our star will be

27:18.000 --> 27:20.000
Maureen O'Hara.

27:22.000 --> 27:24.000
The producer of these broadcasts is

27:24.000 --> 27:26.000
William Spear, with Ted Bliss, the director,

27:26.000 --> 27:28.000
Bernard Herrmann, and Lucian

27:28.000 --> 27:30.000
Mahowich, conductor and composer,

27:30.000 --> 27:32.000
and Larry Roman, the author,

27:32.000 --> 27:34.000
collaborated on tonight's...

27:34.000 --> 27:48.000
suspense.

27:48.000 --> 27:50.000
This is CBS,

27:50.000 --> 27:52.000
the Columbia Broadcasting

27:52.000 --> 28:06.000
System.

