WEBVTT

00:00.000 --> 00:28.440
The Columbia Network takes pleasure in bringing you Suspense.

00:28.440 --> 00:35.240
Columbia's play theater of outstanding thrillers produced and directed by William Spear and

00:35.240 --> 00:42.600
scored by Bernard Herman. The notable melodramas from fiction and stage and screen from the world's

00:42.600 --> 00:47.480
great literature of entertaining excitement presented each week to bring you to the edge

00:47.480 --> 01:04.320
of your chair to keep you in suspense. Tonight's story by America's distinguished author playwright

01:04.320 --> 01:10.560
Owen Johnson gathers its suspense in a very gentle way. It doesn't have a spectacular finish

01:10.560 --> 01:16.440
garnished with revolver shots. There are no graveyard watches. There's not so much as a

01:16.440 --> 01:24.440
single lifeless body identified or unidentified. It's a tale told in a club room the artists and

01:24.440 --> 01:32.560
writers club in New York. A tale of high-class robbery and suspicion and of how some ladies

01:32.560 --> 01:51.840
and gentlemen nervously counted 100 in the dark. Ah that was a fine meal. Me for the club anytime.

01:51.840 --> 01:57.040
Here we can all sit here buddy. Yes if you'll just draw up that chair for Mr. Peters. Oh yeah.

01:57.040 --> 02:05.720
Do you all know Peters? This is Mr. Steingal. How do you do? Mr. Gollier? Oh I agree with Matt.

02:05.720 --> 02:11.200
Oh yes. Oh you know each other. Yes. And the one who drew up the chair Mr. Rankin. How do you do?

02:11.200 --> 02:16.760
Well I guess we're all acquainted now. To get back to our table discussion Queenie. Oh yes.

02:16.760 --> 02:27.280
How about a drink? Who'll join me? Oh pleasure. John. Well now Steingal as I said there are only half a

02:27.280 --> 02:35.160
dozen stories in the world. What is more to the point? There's every reason. Yes sir. What? Oh five

02:35.160 --> 02:43.480
with soda John. Yes sir. Now now where was I? Oh yes. What is more to the point gentlemen is the

02:43.480 --> 02:49.680
small number of human relations that are so simple and yet so fundamental that they can be eternally

02:49.680 --> 02:56.000
played upon, redressed and reinterpreted in every language in every age and yet remain inexhaustible

02:56.000 --> 03:02.080
in the possibility of variation. That's true of course. It's very possible. Take the eternal triangle

03:02.080 --> 03:10.300
to men and a woman or to women and a man. Its variations extend to thousands. That right Rankin?

03:10.300 --> 03:23.920
Well in a way. Oh here we are. Set them down right there John. A little soda. Here you are.

03:23.920 --> 03:39.240
Thank you. And you. A little soda Peter. Yes please. Here you are. Thanks. And here's yours. Thank you.

03:39.240 --> 03:54.480
And now a little soda mine. Well here's to you all. Cheers. I'm afraid we can't see eye to eye

03:54.480 --> 04:00.000
Quinny. I believe there are situations, original situations that are independent of your human

04:00.000 --> 04:05.160
emotions that exist just because they are situations, accidental and nothing else. As for

04:05.160 --> 04:10.680
instance. Well I'll just cite an ordinary one that happens to come to my mind. In a group of

04:10.680 --> 04:19.160
five men such as we are here, a theft takes place. One man is the thief. Which one? Now I'd like to

04:19.160 --> 04:24.200
know what emotion that interprets and yet it certainly is an original theme at the bottom of

04:24.200 --> 04:28.600
the whole literature. It's not the same thing at all. Detective stories. I could answer that the

04:28.600 --> 04:33.880
situation you give can be traced back to the commonest of human emotions, curiosity. I think

04:33.880 --> 04:39.280
Quinny has you there Rankin. What is the peculiar fascination that the detective problem exercises

04:39.280 --> 04:45.880
over the human mind? You will say curiosity. Yes and no. Admit it once that the whole art of a

04:45.880 --> 04:51.440
detective story consists in the statement of the problem. Anyone can do it. I can do it.

04:51.440 --> 05:02.520
Steingold can do it. Rankin I believe even you can do it. The solution doesn't count. It is usually

05:02.520 --> 05:09.600
but now it should be prohibited. What interest thus is? Can we guess it? There you have it. The

05:09.600 --> 05:14.840
problem, the detective story. Now why the fascination? I'll tell you. It appeals to our

05:14.840 --> 05:22.280
curiosity. Yes but deeper to a sort of intellectual vanity. Five men present. The theft takes place.

05:22.280 --> 05:28.280
Who's the thief? Who will guess it first? Whose brains will show its superior cleverness? You see

05:28.280 --> 05:33.680
that's all. That's all there is to it. Out of all of which the interesting thing is that Rankin has

05:33.680 --> 05:39.400
supplied the reason why the supply of detective fiction is inexhaustible. It does all come down

05:39.400 --> 05:45.320
to the simplest terms. Five possibilities. One answer. Well the reason is that the situation

05:45.320 --> 05:50.880
does constantly occur. It's a situation that any of us might get into anytime. Yes I know of an

05:50.880 --> 05:54.560
incident of that kind that happened to a friend of mine last month. Of course, of course gentlemen.

05:54.560 --> 05:59.360
You are glorifying common places. Every crime I tell you expresses itself in the terms of the

05:59.360 --> 06:04.720
picture puzzle that you feed your six-year-old. It's only the variation that is interesting.

06:04.720 --> 06:09.800
Take the well-known instance of the visitor at a club and the rare coin for example. You all know

06:09.800 --> 06:16.720
that story. I don't think I have. Sure. Why it's very well known. Go ahead Quenny. A distinguished

06:16.720 --> 06:23.080
visitor is brought into a club. A dozen men say present at dinner. Long table. Conversation finally

06:23.080 --> 06:28.760
veers around to curiosities and relics. One of the members present then takes from his pocket what

06:28.760 --> 06:35.560
he announces as one of the rarest coins in existence. Passes it around the table. Coin travels back and

06:35.560 --> 06:42.480
forth. Everyone examining it. And the conversation goes to another topic. All at once the owner calls

06:42.480 --> 06:49.560
for his coin. It is nowhere to be found. Everyone looks at everyone else. First they suspect a joke.

06:49.560 --> 06:56.920
Then it becomes serious. The coin is immensely valuable. Who has taken it? The owner is a

06:56.920 --> 07:02.240
gentleman. Does the gentlemanly idiotic thing of course. Laughs as he knows someone is playing a

07:02.240 --> 07:07.920
practical joke on him and that the coin will be returned tomorrow. The others refuse to leave the

07:07.920 --> 07:14.360
situation so. One man proposes that they all submit to a surf. Everyone gives his assent until

07:14.360 --> 07:21.360
it comes to the stranger. He refuses curtly roughly without giving any reason. Uncomfortable silence.

07:21.360 --> 07:29.480
The man is a guest. No one knows him particularly well but still he is a guest. One member tries to

07:29.480 --> 07:34.480
make him understand that no offence is offered. That the suggestion was simply to clear the

07:34.480 --> 07:41.120
atmosphere. The stranger becomes very firm, very proud and says I refuse to allow my person to be

07:41.120 --> 07:48.760
searched and I refuse to give the reason for my action. Another silence. The visitor evidently

07:48.760 --> 07:57.440
has the coin but he is their guest and etiquette protects him. Nice situation, eh? What's the answer?

07:57.440 --> 08:02.680
The table is cleared. A waiter removes a dish of fruit and there under the ledge of the plate

08:02.680 --> 08:10.360
where it's been pushed is the coin. Banal explanation, eh? Of course. Solutions always should be.

08:10.360 --> 08:16.560
At once everyone apologizes to him. Whereupon the visitor rises and says now I can give you

08:16.560 --> 08:22.180
the reason for my refusal to be searched. There are only two known specimens of that coin in

08:22.180 --> 08:28.120
existence and the second happens to be here in my vest pocket. That's rather obvious. Of course

08:28.120 --> 08:35.160
the story is well invented but the turn to it is very nice. Very nice indeed. Well I don't know.

08:35.160 --> 08:41.560
Ending is very unsatisfactory. The visitor should have had on him not another coin but something

08:41.560 --> 08:48.440
absolutely different, something destructive say of a woman's reputation and a great tragedy

08:48.440 --> 08:53.640
should have been threatened by the casual misplacing of the coin. Well I've heard the same story told in

08:53.640 --> 08:59.840
a dozen different ways. Oh it's happened a hundred times. It must continually happen. I know of one

08:59.840 --> 09:05.840
extraordinary instance, in fact the most extraordinary instance of this sort I've ever heard. Peters you

09:05.840 --> 09:12.600
rascal. I see you've been quietly letting us set the stage for you. Well it's not a story that will

09:12.600 --> 09:19.200
please everyone. Why not? Because you will want to know what no one can ever know. It has no conclusion

09:19.200 --> 09:25.200
then. Yes and no. As far as it concerns a woman, quite the most remarkable woman I've ever met,

09:25.200 --> 09:31.920
the story is complete. Do I know the woman? Possibly, probably I should say. As a matter of

09:31.920 --> 09:35.520
fact this should be particularly interesting to you because I believe that most of you are

09:35.520 --> 09:43.360
acquainted with the people involved. The names of course are disguised. I think yes I have.

09:43.360 --> 09:45.440
Just time before I catch my train to tell it to you.

09:45.440 --> 09:58.000
Mrs. well Mrs. Rita Kildare inhabited a charming bachelor girl studio, very elegant,

09:58.000 --> 10:03.680
with a duplex pattern and one of the buildings just off Central Park West. She knew very nearly

10:03.680 --> 10:09.560
everyone in that indescribable society in New York that's drawn from all levels and that imposes

10:09.560 --> 10:15.720
but one condition for membership to be amusing. In this mingled society her invitations were

10:15.720 --> 10:21.800
eagerly sought. Her dinners were spontaneous and the discussions though gay and usually daring were

10:21.800 --> 10:28.360
invariably under the control of wit and good taste. On the Sunday night of this adventure she had,

10:28.360 --> 10:33.960
according to her custom, sent away her Filipino butler and invited to an informal chaffing dish

10:33.960 --> 10:41.400
supper seven of her more unusual friends. At seven o'clock having finished dressing she put in order

10:41.400 --> 10:48.360
her bedroom which formed a sort of free passage between the studio and a small dining room to the

10:48.360 --> 10:54.120
kitchen beyond. Then going into the studio she struck a match and was about to light the candlesticks

10:54.120 --> 11:02.520
which illuminated the room when the bell rang and a Mr. Flanders, a broker, compact, nervously alive,

11:02.520 --> 11:10.440
well groomed, was waiting as she opened the door. Well you're early. On the contrary you are late.

11:11.480 --> 11:17.400
Well in any case hello and come inside. Here let me take your things. Thank you.

11:19.000 --> 11:24.520
Ah the first I suppose. Of course and since you are you can be a good boy and help me with the

11:24.520 --> 11:32.680
candles. Delighted. Who's to be here tonight? The Enos Jacksons. I thought they were separated.

11:33.320 --> 11:39.880
Not yet. How interesting. Only you dear lady would dream of serving us a couple on the verge.

11:39.880 --> 11:45.320
It is interesting isn't it? Assuredly. Where did you know Jackson? Through the wearings.

11:46.680 --> 11:52.600
Jackson's a rather doubtful person isn't he? Well let's call him a very sharp lawyer.

11:52.600 --> 11:59.400
They tell me though he's been gambling pretty much in deep. How about yourself? Me? I'm a bachelor.

11:59.400 --> 12:06.360
If I lose my shirt it makes no difference. Is that possible? Probably even. Who else is coming?

12:06.360 --> 12:11.400
Oh uh Maude Lilly. You know her? I don't think so. You met her here some time ago. A journalist.

12:11.400 --> 12:15.640
Oh yes yes of course I've forgotten. Mr. Harris, the clubman is coming and the Stanley Cheevers.

12:15.640 --> 12:21.160
Stanley Cheevers? Are we going to gamble? Don't tell me you object. Certainly not.

12:21.160 --> 12:28.040
Certainly not. Only the Cheevers. They play quite a game. Yes well united.

12:28.680 --> 12:35.480
They have an unusual streak of good luck. Oh by the way it's uh Jackson isn't it who is so

12:35.480 --> 12:42.440
attractive to Mrs. Cheever? Quite right. What a charming party. Where does Maude Lilly come in?

12:42.440 --> 12:47.960
Don't joke. She's in a desperate way. And young Harris? Oh he used to make the salad and cream the

12:47.960 --> 12:53.000
chicken. Ah see the whole party. I of course am to wear the element of respectability. Of what?

12:54.280 --> 13:00.200
Don't play baby with me my dear Flanders. I apologize. That's better. No one of course

13:00.200 --> 13:14.280
knows who else is coming. No one of course. The Stanley Cheevers entered. A short fat man

13:14.280 --> 13:21.000
with a vacant fat face and slow moving eye and his wife. Valuable, nervous, overdressed, pretty.

13:21.880 --> 13:30.760
Mr. yes Mr. Harris came in with Maude Lilly. A woman straight, dark, Indian, great masses of

13:30.760 --> 13:37.400
somber hair. Held in a little too loosely for neatness with thick quick lips and eyes that

13:37.400 --> 13:43.560
rolled away from the person who was talking to her. The Enos Jacksons were late and still agitated as

13:43.560 --> 13:50.600
they entered. His forehead had not quite banished the scowl nor her eyes the scorn. He was of the

13:50.600 --> 13:56.120
type that never lost his temper but caused others to lose theirs. Mrs. Jackson seemed

13:56.120 --> 14:02.120
fastened to her husband by an invisible leash. You looked at her curiously and wondered what such

14:02.120 --> 14:08.360
a nature would do in a crisis with a lurking sense of a woman who carried with her her own impending

14:08.360 --> 14:15.080
tragedy. As soon as the company had been completed and the incongruity of the selection

14:15.720 --> 14:22.360
had been perceived a smile of malicious anticipation ran the rounds which the hostess cut short by

14:22.360 --> 14:29.480
saying well well now that everyone's here this is the order for the night you can quarrel all you

14:29.480 --> 14:34.680
want you can whisper all the gossip you can think of about one another but everyone is to be amusing

14:34.680 --> 14:40.360
also everyone is to help with dinner and nothing formal nothing serious we may all be bankrupt

14:40.360 --> 15:08.920
we may all be bankrupt divorced to dead tomorrow but tonight we'll be gay that's the invariable rule of the house

15:10.360 --> 15:14.120
if you'll excuse me i'll get on with the cooking uh harris i'll need you

15:14.120 --> 15:18.920
all right with you may i be of any help thank you more dear oh mrs cheever you might come along too all right

15:26.680 --> 15:29.080
this is an adorable bedroom oh thank you dear

15:30.760 --> 15:36.520
uh now for my apron oh there it is uh tie me up to the back will you please mod of course

15:36.520 --> 15:42.120
there you are fine thanks now just let me get my rings off and i'll be all ready to go to work

15:42.120 --> 15:48.360
oh this is such a lovely apartment mrs gilder soap and water always seem to do it

15:49.960 --> 15:55.320
ah there your rings are so beautiful they are nice aren't they but there's only one that's very

15:55.320 --> 16:02.600
valuable the sapphire oh it's beautiful let me see oh it must be very valuable it cost 10,000

16:02.600 --> 16:08.520
six years ago it's been my talisman ever since for the moment however i'm a cook you're not going to

16:08.520 --> 16:14.200
leave the rings there why of course now i'm the cook mod lily you're the scullery maid harris is

16:14.200 --> 16:20.920
the chef and we're all under his orders mrs cheever did you ever peel onions oh would heavens know

16:20.920 --> 16:32.120
well there are no onions peel all you have to do is help set the table

16:33.400 --> 16:37.880
under their hostess's gay guidance the seven guests began to circulate busily through the room

16:38.520 --> 16:42.920
laying the table grouping the chairs opening bottles and preparing the material for the

16:42.920 --> 16:49.400
shaping dishes mrs gilder in the kitchen ransacked the ice box and with her own hands shredded the

16:49.400 --> 16:59.000
chicken and measured the cream slanders carry this in carefully cheever stop watching your wife and

16:59.000 --> 17:06.680
put the salad bowl on the table everything ready harris all set all right everyone sit down i'll

17:06.680 --> 17:14.520
be right in she went into her bedroom took off her apron and hung it in the closet then going

17:14.520 --> 17:19.880
to a dressing table she drew the hat pin around which were her rings from the pin cushion and

17:19.880 --> 17:27.160
carelessly slipped them on her fingers but all at once she frowned and looked quickly at her hand

17:28.840 --> 17:38.520
only two rings were there the third ring the sapphire was missing stupid she said to herself

17:38.520 --> 17:44.440
and returned to a dressing table immediately she stopped she remembered quite clearly putting the

17:44.440 --> 17:50.840
hat pin through the three rings she made no attempt to search further but remained without

17:50.840 --> 17:58.600
moving her fingers slowly drumming on the table who had taken the ring each of our guests had had a

17:58.600 --> 18:03.480
dozen opportunities in the course of the time she'd been busy in the kitchen she ran over their

18:03.480 --> 18:09.560
she ran over their characters and their situations as she knew them strangely enough at each

18:10.200 --> 18:16.680
her mind stopped upon some reason that might explain a sudden temptation to find out nothing

18:16.680 --> 18:22.680
this way that's not the important thing to me just now important thing is to get the ring back

18:23.560 --> 18:30.520
and slowly deliberately she began to walk back and forth a clenched hand beating the deliberate

18:30.520 --> 18:38.520
rhythmic measure of her journey five minutes later as harris installed the chef over the chafing

18:38.520 --> 18:44.360
dish was giving directions spoon in the air mrs killbear came into the room like a lengthening

18:44.360 --> 18:50.440
shadow her entrance had been made with scarcely a perceptible sound and yet each guest was aware

18:50.440 --> 18:53.640
of it at the same moment with a little nervous start

18:53.640 --> 19:02.760
heavens heavens dear lady you come in on us like a greek tragedy what is it you have for us a surprise

19:02.760 --> 19:05.800
i have something to say to you

19:06.920 --> 19:15.160
mr enos jackson yes ms killder kindly do as i ask you certainly go to the door go to the door please

19:15.160 --> 19:23.160
go to the door please lock it and bring me the key

19:23.160 --> 19:38.600
here you are you've locked it as you wish me to thank you now the bedroom door would you do the same

19:45.560 --> 19:52.120
thank you mr jackson mr cheever yeah would you blow out all the candles except the candelabra

19:52.120 --> 19:57.160
on the table blow out all the candles except the candelabra all right

20:00.920 --> 20:06.360
for goodness sake mrs killbear what is it i am getting terribly worked up my my nerves are all

20:06.360 --> 20:18.520
made up mrs jackson that's the last candle all right now listen my sapphire ring has just been

20:18.520 --> 20:24.600
stolen oh you don't believe it the ring has been taken within the last 20 minutes i'm not going to

20:24.600 --> 20:32.840
mince words the ring has been taken and the thief is among you but mrs killd is it possible yes mrs

20:32.840 --> 20:37.320
cheever is not the slightest doubt three of you were in the bedroom and i placed my rings in the

20:37.320 --> 20:42.120
pincushion quite true i was in the room when she took them off the sapphire ring was on top each

20:42.120 --> 20:48.840
of you has passed through there a dozen times since my sapphire ring is gone and one of you has

20:48.840 --> 20:56.440
taken it now now listen i'm not going to miss words i'm not going to stand on ceremony

20:57.480 --> 21:04.280
but i'm going to have my ring back listen to me carefully i'm going to have that ring back

21:05.320 --> 21:07.800
and until i do not a soul shall leave this room

21:07.800 --> 21:15.000
i don't care who's taken it all i want is my ring now i'm going to make it possible for whoever took

21:15.000 --> 21:21.160
it to restore it without possibility of detection the doors are locked and will stay locked i'm going

21:21.160 --> 21:26.680
to blow out the remaining candles in the candelabra and we're going to count 100 slowly

21:27.480 --> 21:34.600
there'll be an absolute darkness no one will know or see what's done but if at the end of that time

21:34.600 --> 21:40.680
if at the end of that time the ring is not here on the table i shall telephone the police

21:41.240 --> 21:45.560
and have everyone in this room searched am i quite clear

21:47.720 --> 21:51.160
everyone take his place about the table and remain standing please

21:53.720 --> 21:59.720
that's it that'll do now i'll blow out the candles and count 100 no more no less

21:59.720 --> 22:07.560
yes remember either i get that ring or everyone in this room will be searched

22:07.560 --> 22:37.480
1 2 3 4 5 6 7 8 9 10 11 12 13 14

22:37.560 --> 23:06.440
15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32

23:07.560 --> 23:35.000
33 34 35 36 37 38 39 40 41 42 43 44 45 put slept off the chair i'm sorry 47 48 49 50

23:35.000 --> 24:03.800
51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71

24:03.800 --> 24:27.240
72 73 the ring 74 75 76 77 78 79 80 81 82 83 84 85 86 87

24:27.240 --> 24:46.920
88 89 90 91 92 93 94 95 96 97 98 99 100

24:46.920 --> 24:52.920
100

24:52.920 --> 24:55.720
mr cheever you may hand it to me

24:59.640 --> 25:05.720
well now that that's over we can have a very gay little supper the light someone

25:05.720 --> 25:17.320
one and there you are gentlemen oh i say peters that's not all absolutely the story ends there

25:17.320 --> 25:27.080
story ends there but uh who took the ring what you never found out never no clue none i'm not

25:27.080 --> 25:34.120
sure i like the story it's no story at all permit me it is a story and it is complete in fact i

25:34.120 --> 25:38.280
consider it unique because it has none of the banalities of a solution and leaves the problem

25:38.280 --> 25:44.360
even more confused than at the start well i don't see of course you don't see my dear ankin you do

25:44.360 --> 25:50.200
not see that any solution would be commonplace whereas no solution leaves an extraordinary

25:50.200 --> 25:55.480
intellectual problem well how so well in the first place whether the situation actually happen or not

25:56.040 --> 26:01.640
which is in itself a mirage of reality peeters has constructed it in a masterly way the proof of

26:01.640 --> 26:07.640
which is that he has made me listen any of those present might have taken the ring there are

26:07.640 --> 26:13.560
therefore seven solutions all possible and all logical but beyond this is left a great

26:13.560 --> 26:19.320
intellectual problem how so was it a woman who lacked the necessary courage to continue

26:19.960 --> 26:27.640
or was it a man who repented his first impulse is a man or is a woman the greater natural criminal

26:27.640 --> 26:32.600
oh that's simple quinny a woman took it of course on the contrary it was a man for

26:32.600 --> 26:36.840
the second action was more difficult than the first a man certainly the restoration of the

26:36.840 --> 26:42.760
ring was a logical decision you see personally i inclined to a woman for the reason that a weaker

26:42.760 --> 26:48.520
feminine nature is strangely susceptible to the domination of her own sex there you are we could

26:48.520 --> 26:53.480
meet and debate the subject year in and year out and never agree i i recognize most of the

26:53.480 --> 26:59.640
characters peters mrs. kilter of course is all you say of her an extraordinary woman

27:00.520 --> 27:06.760
the story is quite characteristic of her flanders i'm not sure of but i think i know him i'm positive

27:06.760 --> 27:13.480
i do did it really happen exactly as i told it the only one i don't recognize is harris

27:13.480 --> 27:23.960
your humble servant what you peters you were there i was there i was harris

27:25.320 --> 27:30.360
having a pardon gentleman oh yes what is it done mr peters sir you're trained you told me to remind

27:30.360 --> 27:43.880
you oh thank you yes i didn't know it was so late you gentlemen pardon me nice to meet you all night

27:45.880 --> 27:52.200
curious chap extraordinary well now i i wonder

27:52.200 --> 27:59.800
i wonder if we're wondering the same thing gentlemen

28:07.960 --> 28:15.160
and so with the enigmatic smile of mr peters or harris ends 100 in the dark

28:15.160 --> 28:25.480
owen johnson's smooth story which gave us tonight's suspense suspense is produced by william spear

28:26.120 --> 28:32.760
tonight's radio drama was written by jack anson fink directed by john deets and scored by bernard

28:32.760 --> 28:41.080
herman eric dressler was mr peters alice frost played mrs. kilter and ted osborne quinney others

28:41.080 --> 28:49.080
in the cast were helen lewis jones shay henry at k frank reddick paul luther stefan schnauvel ian

28:49.080 --> 28:54.760
martin and barry croaker with this evening's performance columbia brings to a conclusion

28:54.760 --> 29:00.440
the present series of suspense if you like these broadcasts cbs would be pleased to hear from you

29:01.160 --> 29:07.800
suspense has been a series presented for your relaxation and enjoyment by the columbia broadcasting

29:07.800 --> 29:16.120
system

29:16.120 --> 29:18.180
you